Volume 39, Issue 1
Nonfiction
- Gravida 5.1
Sara Beth Childers
- A Forager’s Guide to Love
Heather Hawk
- Snapdragon
Sarah Fawn Montgomery
- Recipe for Helga
Madelaine Zadik
- Roadside Markers
Nicole R. Zimmerman
Poetry
- date/truck/gunrack
Amy Bagwell
- The Power Company
Andrea Carter
- Archaeology of Intimacy
Derek Jon Dickinson
- playing nina mikhailovna
Natalie Ezelle
- for Pat McKibben
Natalie Ezelle
- In the Post-Acute Care Unit of Mount Carmel Hospital in Haifa, Israel
Anna Abraham Gasaway
- Orpheus Waits in the ICU
Adam Grabowski
- eve (or, something that hasn’t happened yet)
Hailey June Gross
- Exchange
Ceridwen Hall
- Little Silences
Morgan Hamill
- Pre-op, 5:30 AM
Morgan Hamill
- From Way Down Here
Alejandra Hernández
- Seven of the Bonus Stages of Grief
Callie Jennings
- Observations on Vessel Activity
Grace Mathews
- PIG BRAINS
Quincy Gray McMichael
- Jane Carries Baby Jane after Thanatosis
Jessica Melilli-Hand
- The Brain-Doctor’s Tick-Tock Fingers Hold Just One Jane Here
Jessica Melilli-Hand
- Squid
Mary Meriam
- Twice
Jill Michelle
- Bluemania
Dayna Patterson
- House of Holy Cards
Samuel Piccone
- Here’s the Church
Samuel Piccone
- The Night Shift
Laura Ribitzky
- On Leave
Laura Ribitzky
- Planting for Harvest
Alana Rodriguez
- I’m Agender Which Means I’m Nothing And Everything at Once Which Means I’m Intangible Until the Right Touch Comes Along
Carson Sandell
- Techniques of the Body
Em Teaze
- At the Break Room Sink
Jon Tobias
- return trip
Luis Torres
- Invisible Stitches
Milagros Vilaplana
- Ghost Variations
Sam Yaziji
Fiction
- The Light in America
Genevieve Abravanel
- Raptors in the Later Age
Bryn Agnew
- Spontaneous Combustion Goes to College
Brett Biebel
- Shadow Play
Soramimi Hanarejima
- Mermaid
Frank Reilly
- Bring a Torch, Jeannette, Isabella
JP Solheim
editorial staff
Volume 39, Issue 1
- RS Deeren
Senior Editor
- Amy Wright
Senior Editor
- Calie Benke
Managing Editor
- Amy Wright
Nonfiction Editor
- Stephanie Dugger
Poetry Editor
- RS Deeren
Fiction Editor
- Kaela Cundiff
Assistant Managing Editor
- Maisie Williams
Assistant Managing Editor
- Florence Isbill
Prose Editor
- Beth Chisenhall
Assistant Prose Editor
- Dee Sloss
Assistant Fiction Editor
- Winter Parker
Poetry Editor
- Brittney Medlin
Assistant Poetry Editor
- Levi Southerland
Assistant Poetry Editor
- TJ Rice
Assistant Nonfiction Editor
readers
Volume 39, Issue 1
Kelly Garcia
Allison Harris
Bo Hammond
Caleb Hicks
Jennifer Phillips
Jessica White
Kaela Cundiff
Katie Wong
Kayah Newell
Rem Eaves
Shelby Martin
Winter Parker
-
6AM: birdsong at dawn by Billy Renkl
Featured Nonfiction
-
A Forager’s Guide to Love
Heather Hawk
If my husband had died that spring day, I would’ve mourned a better man. It’s been over a decade and a divorce since, and I haven’t seen ramps until now. I dunk each one into cold water, watch the liquid turn muddy. Ease the thin skin toward the rootlet and slide it off the white bulb. I chop the green leaves to make pesto, set aside the bulbs for pickling. Place the rootlets in a pile to return to the soil later.
We were seven years into our marriage when I found out about the affair. On lunch waiting for my order, my office on the floor above, the man in front of me turned. Recognition passing over his face, he introduced himself: the boyfriend of my husband’s classmate. He began consoling me. No idea what he meant, my face went blank. Confused, he said, “You know they’re sleeping together, right?”
Someone yelled from the other side of the salad bar, and I turned to see Forrest’s classmate running at us. The lunch crowd formed a circle, boyfriend shouting, “She didn’t know!,” punctuated by her equally repetitive, “No!”
READ MORE>
Featured Poem
-
Seven of the Bonus Stages of Grief
Callie Jennings
I
There will come a day,
trust me on this,
when you text your housemate-enemy-crush
to see if ze could bike by Star after hir shift
to grab some extra chips and mixers,
and no part of you plans what you’ll journal
if ze’s struck and killed on that half mile.II
There will come a day
when you can half-smile at unexpected fireworks
and unfamiliar men, when you see an empty
stroller as just the thing it is, when you hold
your keys like you would hold a dandelion,
when unsurprising words for death are peacefully,
it was her time, and in their sleep, when knocking
wood’s a charming, dying quirk of grandmothers.III
There will come a day,
I promise you, I promise you, I promise you there will,
when the Council of Grandmothers’ grandmothers knock
and you look through the peephole, and right at the peephole
is the fiercest crone eye of the savoriest brown.
So you put on the kettle, pull out the spare blankets,
while the softest gran coos at your cat, and the others
dismantle your faucets and cure the slow leaks. Each
takes her moment to tell you you’re quick enough,
and beautiful and good enough, such a catch,
and this day that’s come’s the day you can believe them.
And each holds your hand in her petals of hands
and kisses it. ‘Til your skin’s threadbare with kisses.
IV
There will come a day
when you wake to find a trumpet on your lips,the junky crumpled trumpet of your threadbare desperate longing,
READ MORE>
and you woke because you blew it, and a shining trash city
descends from the heavens on tag-sale rockets, landing rough
astride the highways, just where no one wanted
a city of your garbage in a grass-stained gown, and the city’s nickname
is your seventh-grade nickname,
and you take every interview, upright and unafraid.
V
There will come a day
when you’re fearlessly surfing hot mile-up winds
on a skyboard tied to a skeleton eagle—
he’s not dead, just wicked metal—
and you (and your unfeathered friend) wear nothing
but your helmet and your knee pads—
it’s not a dream, you’ve graduated, you have
your usual teeth, you’re only pregnant if you want,
there are no lines to know, but yeah, you’re naked—
as if it’s the simplest thing to be naked
when your body completely belongs to you,
when you’ve made it yourself
with your self-made hands,
with the effort of a macaroni necklace.
And the eagle, who you love, sweeps you over the ocean,
wipes tears from your cheeks with one soft bone talon,
and the ocean is heavy with whales again,
and the whales are heavy with whaleness again,
and the earth is heavy with ice at the poles,
no part of it heavy with pain any more.
VI
There will come a day
with only daylight
coming down.
VII
There will come a day again. A day like nothing happened.
And if a day won’t come, maybe a minute will?
And if a minute won’t, then come good ghosts,
come ancestors’ real names and yesterday’s perfume,
come time-traveler’s magic trick
you play on the child of you,
over and over, laughing and laughing,
trick after laugh after trick ‘til she trusts you
more than anyone—you who she became—laughing
as she toddles toward your frothing, wailing portal
to some sweeter timeline where she might grow up okay,
this child of you, this small laughing child. You repeat:
Look, look at what I’m holding!
Look at what’s about to vanish!
Featured Fiction
-
Raptors in the Later Age
Bryn Agnew
Velo was already late for work. Still she didn’t hurry. No reason to. There was never a reason to. She ran her claws through the feathers that sprouted from her leathery flesh and iridescent scales, trying to straighten them and failing as ever. They’re growing darker, her mother would’ve said, had she been there, had she not been in the Gorge that day. Meteors never knew when to leave well enough the fuck alone.
She brushed her teeth and flossed out the lingering strands of chicken meat stuck between them. She obsessed over her teeth, long and sharp and pale as the winter. Rexy always said she had the best smile. Her cell phone buzzed by the sink, nearly shaking into the bowl.
Rexy (Sexy): you comin in today
Right on time, Velo said in the mirror, wiping a bit of frothed toothpaste from the corner of her mouth. Damn feathers won’t lay back.
READ MORE>
Featured Artist
-
Billy Renkl
Billy Renkl grew up in Birmingham, AL. He attended Auburn University (illustration and graphic design) and the University of South Carolina (drawing); he now teaches resolutely analog media at Austin Peay State University. Renkl’s work has been featured in many solo and group exhibitions, including shows in Nashville, New Orleans, New York City, Cincinnati, and Berlin, Germany. He is the illustrator of The Comfort of Crows and Late Migrations, both by Margaret Renkl, and When You Breathe by Diana Farid, among other projects.
6AM: birdsong at dawn by Billy Renkl
https://billyrenkl.com/ https://www.instagram.com/billyrenkl/
news & events
contests
Zone 3 Press sponsors two book competitions: the Zone 3 Press First Book Award in Poetry and the Creative Nonfiction Book Award. Winners receive $1,000, publication of their book, and an invitation to give a joint reading at Austin Peay State University with the contest judge. These competitions are currently on hiatus.
Zone 3 Press publications are made available from the Zone 3 Store and your favorite booksellers!
Volume 39, Issue 1
-
6AM: birdsong at dawn by Billy Renkl
Nonfiction
- Gravida 5.1
Sara Beth Childers
- A Forager’s Guide to Love
Heather Hawk
- Snapdragon
Sarah Fawn Montgomery
- Recipe for Helga
Madelaine Zadik
- Roadside Markers
Nicole R. Zimmerman
Poetry
- date/truck/gunrack
Amy Bagwell
- The Power Company
Andrea Carter
- Archaeology of Intimacy
Derek Jon Dickinson
- playing nina mikhailovna
Natalie Ezelle
- for Pat McKibben
Natalie Ezelle
- In the Post-Acute Care Unit of Mount Carmel Hospital in Haifa, Israel
Anna Abraham Gasaway
- Orpheus Waits in the ICU
Adam Grabowski
- eve (or, something that hasn’t happened yet)
Hailey June Gross
- Exchange
Ceridwen Hall
- Little Silences
Morgan Hamill
- Pre-op, 5:30 AM
Morgan Hamill
- From Way Down Here
Alejandra Hernández
- Seven of the Bonus Stages of Grief
Callie Jennings
- Observations on Vessel Activity
Grace Mathews
- PIG BRAINS
Quincy Gray McMichael
- Jane Carries Baby Jane after Thanatosis
Jessica Melilli-Hand
- The Brain-Doctor’s Tick-Tock Fingers Hold Just One Jane Here
Jessica Melilli-Hand
- Squid
Mary Meriam
- Twice
Jill Michelle
- Bluemania
Dayna Patterson
- House of Holy Cards
Samuel Piccone
- Here’s the Church
Samuel Piccone
- The Night Shift
Laura Ribitzky
- On Leave
Laura Ribitzky
- Planting for Harvest
Alana Rodriguez
- I’m Agender Which Means I’m Nothing And Everything at Once Which Means I’m Intangible Until the Right Touch Comes Along
Carson Sandell
- Techniques of the Body
Em Teaze
- At the Break Room Sink
Jon Tobias
- return trip
Luis Torres
- Invisible Stitches
Milagros Vilaplana
- Ghost Variations
Sam Yaziji
Fiction
- The Light in America
Genevieve Abravanel
- Raptors in the Later Age
Bryn Agnew
- Spontaneous Combustion Goes to College
Brett Biebel
- Shadow Play
Soramimi Hanarejima
- Mermaid
Frank Reilly
- Bring a Torch, Jeannette, Isabella
JP Solheim
editorial staff
Volume 39, Issue 1
- RS Deeren
Senior Editor
- Amy Wright
Senior Editor
- Calie Benke
Managing Editor
- Amy Wright
Nonfiction Editor
- Stephanie Dugger
Poetry Editor
- RS Deeren
Fiction Editor
- Kaela Cundiff
Assistant Managing Editor
- Maisie Williams
Assistant Managing Editor
- Florence Isbill
Prose Editor
- Beth Chisenhall
Assistant Prose Editor
- Dee Sloss
Assistant Fiction Editor
- Winter Parker
Poetry Editor
- Brittney Medlin
Assistant Poetry Editor
- Levi Southerland
Assistant Poetry Editor
- TJ Rice
Assistant Nonfiction Editor
readers
Featured Nonfiction
-
A Forager’s Guide to Love
Heather Hawk
If my husband had died that spring day, I would’ve mourned a better man. It’s been over a decade and a divorce since, and I haven’t seen ramps until now. I dunk each one into cold water, watch the liquid turn muddy. Ease the thin skin toward the rootlet and slide it off the white bulb. I chop the green leaves to make pesto, set aside the bulbs for pickling. Place the rootlets in a pile to return to the soil later.
We were seven years into our marriage when I found out about the affair. On lunch waiting for my order, my office on the floor above, the man in front of me turned. Recognition passing over his face, he introduced himself: the boyfriend of my husband’s classmate. He began consoling me. No idea what he meant, my face went blank. Confused, he said, “You know they’re sleeping together, right?”
Someone yelled from the other side of the salad bar, and I turned to see Forrest’s classmate running at us. The lunch crowd formed a circle, boyfriend shouting, “She didn’t know!,” punctuated by her equally repetitive, “No!”
READ MORE>
Featured Poem
-
Seven of the Bonus Stages of Grief
Callie Jennings
I
There will come a day,
trust me on this,
when you text your housemate-enemy-crush
to see if ze could bike by Star after hir shift
to grab some extra chips and mixers,
and no part of you plans what you’ll journal
if ze’s struck and killed on that half mile.II
There will come a day
when you can half-smile at unexpected fireworks
and unfamiliar men, when you see an empty
stroller as just the thing it is, when you hold
your keys like you would hold a dandelion,
when unsurprising words for death are peacefully,
it was her time, and in their sleep, when knocking
wood’s a charming, dying quirk of grandmothers.III
There will come a day,
I promise you, I promise you, I promise you there will,
when the Council of Grandmothers’ grandmothers knock
and you look through the peephole, and right at the peephole
is the fiercest crone eye of the savoriest brown.
So you put on the kettle, pull out the spare blankets,
while the softest gran coos at your cat, and the others
dismantle your faucets and cure the slow leaks. Each
takes her moment to tell you you’re quick enough,
and beautiful and good enough, such a catch,
and this day that’s come’s the day you can believe them.
And each holds your hand in her petals of hands
and kisses it. ‘Til your skin’s threadbare with kisses.
IV
There will come a day
when you wake to find a trumpet on your lips,the junky crumpled trumpet of your threadbare desperate longing,
READ MORE>
and you woke because you blew it, and a shining trash city
descends from the heavens on tag-sale rockets, landing rough
astride the highways, just where no one wanted
a city of your garbage in a grass-stained gown, and the city’s nickname
is your seventh-grade nickname,
and you take every interview, upright and unafraid.
V
There will come a day
when you’re fearlessly surfing hot mile-up winds
on a skyboard tied to a skeleton eagle—
he’s not dead, just wicked metal—
and you (and your unfeathered friend) wear nothing
but your helmet and your knee pads—
it’s not a dream, you’ve graduated, you have
your usual teeth, you’re only pregnant if you want,
there are no lines to know, but yeah, you’re naked—
as if it’s the simplest thing to be naked
when your body completely belongs to you,
when you’ve made it yourself
with your self-made hands,
with the effort of a macaroni necklace.
And the eagle, who you love, sweeps you over the ocean,
wipes tears from your cheeks with one soft bone talon,
and the ocean is heavy with whales again,
and the whales are heavy with whaleness again,
and the earth is heavy with ice at the poles,
no part of it heavy with pain any more.
VI
There will come a day
with only daylight
coming down.
VII
There will come a day again. A day like nothing happened.
And if a day won’t come, maybe a minute will?
And if a minute won’t, then come good ghosts,
come ancestors’ real names and yesterday’s perfume,
come time-traveler’s magic trick
you play on the child of you,
over and over, laughing and laughing,
trick after laugh after trick ‘til she trusts you
more than anyone—you who she became—laughing
as she toddles toward your frothing, wailing portal
to some sweeter timeline where she might grow up okay,
this child of you, this small laughing child. You repeat:
Look, look at what I’m holding!
Look at what’s about to vanish!
Featured Fiction
-
Raptors in the Later Age
Bryn Agnew
Velo was already late for work. Still she didn’t hurry. No reason to. There was never a reason to. She ran her claws through the feathers that sprouted from her leathery flesh and iridescent scales, trying to straighten them and failing as ever. They’re growing darker, her mother would’ve said, had she been there, had she not been in the Gorge that day. Meteors never knew when to leave well enough the fuck alone.
She brushed her teeth and flossed out the lingering strands of chicken meat stuck between them. She obsessed over her teeth, long and sharp and pale as the winter. Rexy always said she had the best smile. Her cell phone buzzed by the sink, nearly shaking into the bowl.
Rexy (Sexy): you comin in today
Right on time, Velo said in the mirror, wiping a bit of frothed toothpaste from the corner of her mouth. Damn feathers won’t lay back.
READ MORE>
Featured Artist
-
Billy Renkl
Billy Renkl grew up in Birmingham, AL. He attended Auburn University (illustration and graphic design) and the University of South Carolina (drawing); he now teaches resolutely analog media at Austin Peay State University. Renkl’s work has been featured in many solo and group exhibitions, including shows in Nashville, New Orleans, New York City, Cincinnati, and Berlin, Germany. He is the illustrator of The Comfort of Crows and Late Migrations, both by Margaret Renkl, and When You Breathe by Diana Farid, among other projects.
6AM: birdsong at dawn by Billy Renkl
https://billyrenkl.com/ https://www.instagram.com/billyrenkl/
contests
Zone 3 Press sponsors two book competitions: The Zone 3 Press First Book Award in Poetry and The Zone 3 Press Creative Nonfiction Book Award. Winners receive $1,000 and publication of their book, as well as an invitation to give a joint reading at APSU with the contest judge.
Zone 3 Press publications are made available from the Zone 3 Store, small press distribution, and from Amazon.com.